My work is inspired by urban landscape, issues of gentrification, inequality, social housing and the flux of city environments. I am interested in Brutalist architecture, modernism, notions of utopia/ dystopia and finding beauty in the ordinary/ overlooked.
Between 2012 and 2017, my work focussed on Park Hill, the Grade II* listed Sheffield council estate and one of Britain’s largest examples of Brutalist architecture. The site is currently undergoing regeneration, with much of the estate converted into luxury flats, the remaining, left boarded up and derelict. It was the un-refurbished parts of Park Hill that I found most inspiring, where the memories and layers of the past were almost tangible. I wanted to document the estate in transition and also for the work to speak of the loss and displacement of the existing communities. Since 2017, public access to Park Hill has been increasingly limited so I have been exploring other locations undergoing gentrification in London, Salford and Liverpool. I have recently received an Arts Council Grant to investigate similar areas in the North East of England.
Materiality, surface textures and facture are important concerns to me and for my paintings, I wanted to work with materials that have a physical connection to the sites I depict, namely concrete and spray paint (referencing the graffiti). I have cast concrete into small canvases to work on directly, employing spray paints and micro masking tapes to build up flat zones of colour and then oil painting for fine detail finishing.
I have also investigated the same subject in print. In 2015 I was awarded a 2 year Fellowship to learn stone lithography at Leicester Print Workshop www.leicesterprintworkshop.com/ under the tutelage of expert lithographer Serena Smith www.serenasmith.org/
Most of my work is for sale and I am also available for commisions. Many of my concrete paintings are also available as limited edition giclee prints.